24 Preludes by Chopin & Emergence

Greta Hodgkinson and Aleksandar Antonijevic in Emergence. Photo by Cylla von Tiedemann.
Photo Credit

Greta Hodgkinson and Aleksandar Antonijevic in Emergence. Photo by Cylla von Tiedemann.

October 15 – 16, 2010
Salle Wilfrid-Pelletier, Place des Arts, Montréal

For more information visit the Danse Danse website



 

About the Ballets

Choreography:
Marie Chouinard
Staged by:
Martha Carter
Music:
Frédéric Chopin
Piano Soloist:
Edward Connell
Costume Design:
Vandal
Make-up Design:
Jacques-Lee Pelletier
Lighting Design:
Axel Morgenthaler
Repetiteur:
Peter Ottmann
24 Preludes by Chopin is a gift from THE VOLUNTEER COMMITTEE, THE NATIONAL BALLET OF CANADA

24 Preludes by Chopin

Marie Chouinard’s elusive, enigmatic and inimitable 24 Preludes by Chopin returns to enthrall audiences with its blend of startling physicality, surprising delicacy and oblique humour.

Playing the formal demands of balletic structure off against a free-form emotional and imaginative suggestiveness, much as Chopin did in musical terms with his Preludes, Ms. Chouinard’s work shows her to be without question one of the most exhilaratingly daring choreographers of her time.

Ms. Chouinard made her debut with The National Ballet of Canada in 2008, setting her celebrated 1999 work, 24 Preludes by Chopin, on the company.

 

Choreography:
Crystal Pite
Staged by:
Hope Muir
Original Score:
Owen Belton
Set Design:
Jay Gower Taylor
Costume Design:
Linda Chow
Lighting Design:
Alan Brodie
Emergence is generously supported by Gail Hutchison.

Emergence

Crystal Pite's Emergence, created as part of the company's Innovation programme in the 2008/09 season, brought audiences to their feet after every performance and went on to win four Dora Awards.

A riveting, dark-hued work that casts a swarming, scurrying group of dancers, insect-like, in an eerily subterranean universe, Emergence dramatizes, through its mesmerizing choreographic attack, the ways in which the instinct for creating social forms seems hard-wired into life itself.

 

 

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Reviews


24 Preludes by Chopin

"24 Preludes by Frédéric Chopin give[s] the National Ballet of Canada a fresh, edgy look... Chouinard's work is full of audacity and surprises – all the better to sharpen the National Ballet's cutting edge."

- The Toronto Star, 2008

"an evening of choreographic delights. The iconoclast Chouinard has deconstructed Chopin's quintessential romantic music to create quirky dances that reflect mood, emotion and beat, but as she hears them."

- The Globe and Mail, 2008

"It's white-knuckle stuff that unequivocally asserts dance's often evidentially disputable claim to be the most fundamental and relevant of performed arts. In short, go see it. You'll have no regrets."

- The National Post, 2008

Emergence

"Pite's Emergence offers a contemplation of human and insect activities – the swarm as social group; the hive as home – and makes its points well... The piece is wholly successful and speaks with its own voice."

- The Financial Times (London, UK), 2009

"Crystal Pite's Emergence, a beautifully crafted, mysterious, impressionistic piece that captures the hidden world of insects, and can also stand as a metaphor for human existence."

- The Globe and Mail, 2009

"The piece is menacing, dark, sinister... but beautiful in the way the dancers constantly create symmetries... The partnering was vigorous. The men manhandled the women in almost violent lifts and manipulations."

- Toronto Star, 2009

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Ballet Notes

Please check back later.

Casting

TBA

Running Times

TBD